For much of the 2018-19 season, Real Madrid’s campaign has been driven by pessimism and trepidation.
From mediocre performances on the field to a lack of purpose off it, the Los Blancos found themselves entrenched in a diatribe with a swathe of negative opinions from fans and critics alike.
But the return of the clubs’s favourite son Zinedine Zidane after his dignified exit nine months ago has cut through all the noise, at least for the time being. Zizou’s work is cut out for him as the rebuilding job at a club like Real Madrid, with extremely high expectations, won’t be an easy task by any stretch of the imagination.
https://twitter.com/kevinchimuka/status/1113392173150502914
However, unlike towards the end of his last tenure, Zidane will have financial backing from the club. A report from The Independent claimed “Real Madrid president Florentino Perez has promised Zidane an expensive overhaul,” immediately after the Frenchman’s arrival. A few days later L’Equipe’s front page (titled Casino Royal) stated that:
“Perez is ready to show faith in Zidane to turn the ship around by giving him a €500 million summer budget.”
If Madrid are keen on spending heavily in the upcoming summer transfer window, they will have to do it wisely, bearing in mind their current expectations and without compromising future ambitions.
Defence
Real Madrid’s defence is, arguably, the least concerning aspect of their squad. Sergio Ramos and Raphael Varane might not have had the best of seasons, but they still form a formidable pairing in the centre of defence.
But with Ramos aging and especially if Varane decides to leave, Madrid would need adequate replacements in order to beef up their backline options.
Looking at the options, three names stand out in particular. These include Napoli’s Kalidou Koulibaly (27), Inter Milan’s Milan Skriniar (24) and Ajax’s Matthijs de Ligt (19).
[caption id="" align="alignnone" width="600"] Kalidou Koulibaly during the Serie A match between US Sassuolo and SSC Napoli at Mapei Stadium - Citta' del Tricolore on March 10, 2019 in Reggio nell'Emilia, Italy. Photo: Getty[/caption]
All three have no obvious weaknesses and possess the ideal skill set expected from a defender (strength, positioning and ball playing skills), supplemented by the fact that they are young enough to be part of the club for a very long time.
While Madrid would be happy to bring in any one of these players, Skriniar would be cheaper as compared to the other two, considering the absence of a release clause in his contract with Inter.
[caption id="" align="alignnone" width="600"] Milan Skriniar of FC Internazionale competes for the ball with Danny da Costa of Eintracht Frankfurt during the UEFA Europa League Round of 16 Second Leg match between FC Internazionale and Eintracht Frankfurt at San Siro on March 14, 2019 in Milan, Italy. Photo: Getty[/caption]
The 24-year-old also offers an added dimension of having played as a defensive midfielder with the Slovakian national side, and consequently can provide cover on two positions while also aiding in-game tactical switch.
Midfielders
Real Madrid have a substantial amount of talent in the centre of the park, with an impressive blend of young (Marcos Llorente, Fede Valverde and Dani Ceballos) and experienced players (Luka Modric, Toni Kroos and Casemiro).
In order to cater to an aging Modric and take off pressure from Kroos, Madrid need a couple of additions to their midfield. However, they don’t need to spend heavily in this regard as the players they have loaned out – James Rodriguez to Bayern Munich and Mateo Kovacic to Chelsea – will be ideal suitors.
Rodriguez’s incisiveness in the final third, both in open play and dead ball situations, will add creativity in central positions. This is of particular importance because a majority of Madrid’s attacks are wing-based, which is why the Colombian’s presence will stretch opposing defences and bring more unpredictability going forward. Also, through his quotes in the press, the midfielder has also indicated that there is no love lost between him and the Spanish giants, despite being left frustrated for playing time under Zidane previously.
[caption id="" align="alignnone" width="600"] James Rodriguez of FC Bayern Muenchen controls the ball during the Bundesliga match between FC Bayern Muenchen and 1. FSV Mainz 05 at Allianz Arena on March 17, 2019 in Munich, Germany. Photo: Getty[/caption]
Kovacic might not have had the best of seasons at Chelsea, but he can still play a vital role in The Whites midfield with his ability to play line-breaking passes; a trait which is of pivotal importance, especially against many La Liga sides who like to sit deep and defend. Also, the Croatian’s best time in Madrid colours came while playing under Zizou, which makes a strong case of having him back in the Spanish capital.
[caption id="" align="alignnone" width="600"] Mateo Kovacic of Chelsea in action during the FA Cup Fifth Round match between Chelsea and Manchester United at Stamford Bridge on February 18, 2019 in London, United Kingdom. Photo: Getty[/caption]
Forwards
Ever since the departure of club legend Cristiano Ronaldo, the talk surrounding Real Madrid’s attacking pedigree has shown no signs of subsiding. Since the departure of the Portuguese, the goals have significantly dried up for the Los Blancos and hence the need for some clinical finishers in front of the goal is, probably, more than ever.
Talking about forwards, one player that has constantly been linked with Real Madrid is Chelsea’s Eden Hazard. Although there is no doubt about the Belgium international’s footballing prowess and he will also be a seamless fit at Real, signing him now, at the age of 28, would mean the club shelling a lot of money in return for only two to three peak years. While it would be unfair to totally rule out a move, the club should only consider Hazard as a fall-back option.
[caption id="" align="alignnone" width="600"] 31st March 2019, Cardiff City Stadium, Cardiff, Wales; EPL Premier League football, Cardiff City versus Chelsea; Eden Hazard of Chelsea looks back at a missed chance. Photo: Getty[/caption]
Moving on, Paris Saint-Germain’s (PSG) Kylian Mbappe, despite being an ideal solution to Real Madrid’s goal scoring troubles, is a long shot considering his massive price tag. Although there are plenty of rumours in the transfer market regarding his move to Spain, the French club will go all out to keep the 20-year-old star at the club, keeping in mind the fact that he is at the core of their European ambitions.
[caption id="" align="alignnone" width="600"] Kylian Mbappe of PSG celebrates a goal during the Ligue 1 match between Paris Saint Germain and Guingamp at Parc des Princes on January 19, 2019 in Paris, France. Photo: Getty[/caption]
Taking into account all the factors and realistic options available on the market, Real Madrid will be better off if they work on the lines of signing Liverpool’s Sadio Mane and Inter Milan’s Mauro Icardi.
Mane’s pace and technical ability has been part and parcel of Liverpool’s success in the past couple of seasons, and he will add a lot of potency to Real Madrid’s attack. Although he has played mostly as a winger for The Reds, if need be, he can play in a more central role as a striker as well. In Mane, Madrid will find a willing worker, who can track back and help out with defence and also link up well with Marcelo Vieira on the left wing.
[caption id="" align="alignnone" width="600"] Sadio Mane of Liverpool FC runs with the ball during the Premier League match between Liverpool FC and Tottenham Hotspur at Anfield on March 31, 2019 in Liverpool, United Kingdom. Photo: Getty[/caption]
On the other hand, Icardi has stacked up some great numbers for his Italian club with his lethal finishing. He may not participate much in build-up play but his positioning and movement in front of the goal is particularly impressive. Real Madrid have been guilty of creating lots of chances but not converting them during the ongoing season, but Icardi’s signing should go a long way in changing that.
[caption id="" align="alignnone" width="600"] Mauro Icardi of FC Internazionale scores the second goal during the Serie A match betweenGenoa CFC and FC Internazionale at Stadio Luigi Ferraris on April 3, 2019 in Genoa, Italy. Photo: Getty[/caption]
To Madrid and Zidane’s advantage, being knocked out of the title race on all fronts is somewhat a blessing in disguise, as it gives them additional time to plan for the future. But the 13-time European Champions will have to be clever with the way they go about their business in the transfer market, before it builds up more scar tissue against their name as a formidable force in the world of football.
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With Zidane back on the sidelines, will Real Madrid make the most of the summer transfer window?
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Why is the US making a mountain out of the Masood Azhar molehill?
The United States has introduced a United Nations Security Council (UNSC) resolution to blacklist Masood Azhar as an international terrorist. Azhar is the leader of Jaish-e-Mohammed (banned in Pakistan since 2002) and has been blamed by India for masterminding February’s Pulwama incident, even though no evidence has been produced which links Azhar to the incident.
China has refused to list Azhar as an international terrorist after careful consideration of the definition of international terrorism according to international law. China has made this position absolutely clear and as such, it would appear that the US is looking to transform the UNSC into a place of high stakes geopolitical theatre, because China’s veto of the US resolution is inevitable.
The US therefore is using the internationally immaterial issue of Azhar in order to provoke tensions between China and India at a time when the ruling Bharatiya Janata Party (BJP) is already invoking blood-curdling Sinophobia in further attempts to rally the jingoist Hindutva vote.
But this is not all that the US is doing.
Washington is also provoking and in fact insulting Pakistan by suggesting that a local matter is worthy of wasting the UN’s time, even after one of the permanent members of the Security Council has made its position unambiguous.
As if on cue, India’s jingoistic media kicked into high gear suggesting war against China. Meanwhile, members of the BJP and the Rashtriya Swayamsevak Sangh (RSS) continue to call for a boycotting of Chinese goods. When it comes to Pakistan however, America’s willingness to inflate the international importance of Azhar makes it clear that the US is willing to risk productive relations with Pakistan in order to both placate India and to goad India into an even more extreme position vis-a-vis China (not that the BJP needs much help in this respect).
Although the US has admitted that Pakistan’s role in the Afghan peace process is crucial, beyond this, the US has clearly made its decision in terms of a long term strategy in South Asia. While some US diplomats will feign attempts at a balanced South Asia policy, the reality is that India is now a key US strategic partner. US diplomats at the UN will happily do India’s bidding, even over a matter as absurd as trying to convince the world that Azhar is an international terrorist when legal precedent says otherwise.
Pakistan must adjust its own expectations accordingly. While it would be imprudent for Pakistan to provoke any superpower, the message that Washington is not so subtly sending is that when it comes to a superpower partner, China is the singular key to Pakistan’s prosperous future, while the US is becoming little more than a puppet master helping direct flagrant Indian aggression against China.
This is all the more reason for Pakistan to take a more assertive role in the Afghan peace process. As the country most directly affected by Afghanistan’s prolonged status as a failed state, Pakistan has no excuse not to emerge as an international leader in driving forward an all-parties peace process. Any idea that Pakistan should merely shadow the US in respect of the peace process should now be put to rest, as it is clear that the US has India’s strategic desires at heart and that, by comparison, Pakistan’s security needs come a very distant second or even third.
The reality Pakistan must now face is that whilst America’s priorities in the South Asia during the 80’s related to containing Afghanistan to the West and the Soviet Union to the North, today the US is squarely focused on provoking China and for this, India will remain a key ally of Washington.
All that Pakistan must now do is acclimate itself to a new reality where China’s all-weather friendship will grow in stature and material importance while the US will be willing to insult, debase and ignore Pakistan as though the events of the 80’s never occurred.
This post was originally published here.
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Knock knock! Annabelle is coming home and things are about to get real scary
Following the Marvel path, The Conjuring universe has grown steadily over the last six years through both, the increasing returns that most films in the franchise have delivered and in stature through the critical acclaim that the first two Conjuring movies received. Now five movies in, the franchise is showing no signs of slowing down with a third Conjuring film already set for 2020. But before that, we’re getting another Annabelle movie. And this one promises to be much different than its predecessors.
[caption id="attachment_81026" align="alignnone" width="600"] Photo: IMDb[/caption]
Annabelle Comes Home, which will serve as the sixth film in the Conjuring franchise and the third Annabelle film, does not take the prequel route like Annabelle: Creation did. Unlike the first Annabelle, which was widely panned for being a rudderless and aimless production, this film shifts the focus directly towards the Warren family – the paranormal investigators played by Patrick Wilson and Vera Farmiga who served as the protagonists of the first two Conjuring films.
[caption id="attachment_81027" align="alignnone" width="600"] Photo: IMDb[/caption]
The first trailer, which came out recently, sprinkles a handful of jump-scares throughout its two and a half minute runtime and the film more or less appears to centre on an artefact room where the Warrens keep the demonic doll. However, soon enough the doll begins turning up in strange places and much to the surprise of the Warrens, so do the other artefacts. The weight of this is felt by the Warren’s 10-year-old daughter, Judy, and her friends who seem to be at the centre of the latest Conjuring film.
[caption id="attachment_81024" align="alignnone" width="598"] Photo: IMDb[/caption]
By all accounts, Annabelle Comes Home seems like a much more small-scale film as compared to its predecessors which were much more expansive in scope. And though the Warrens are back, they don’t seem to have a central role in the film in the same way as their daughter does. This is promising because it means that perhaps this time the focus will be on a tightly-constructed narrative, which is where horror films work best.
[caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption]
As evidenced by the trailer, it’s perhaps also safe to assume that this film won’t just be about the titular doll but will also focus on some of the other haunted artefacts in the Warren family’s possession which, if anything, may provide the producers with a few more ideas for some future spin-offs. In the context of this film though, it will undoubtedly add to the scares. This is something that producer James Wan has confirmed when he essentially described the film as being Night at the Museum with an evil doll because of the various haunted artefacts that will be activated in the film.
[caption id="attachment_81031" align="alignnone" width="600"] Photo: IMDb[/caption]
The good thing is that Annabelle Comes Home seems to channel all the elements that have made the Conjuring franchise such a big success, which provides the viewer with something to look forward to. After straying away from the central narrative and focusing on aimless origin stories, the franchise seems to have finally learned its lesson. With Annabelle Comes Home, the focus seems to have been shifted back towards the scares and, in a blatant but smart bit of fan-service, the filmmakers have brought back two of the franchise’s most beloved characters, even if it’s in a supporting capacity. That said, only time will tell if the latest installment in the Annabelle saga matches up to the Conjuring movies, which at present, stand head and shoulders above the other films in the franchise.
[caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption]
Annabelle Comes Home hits cinemas on June 28, 2019.
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India’s ‘Operation Isolation’ and the soft power of sports
“Our message is stronger than ever. Please stop the fighting. Please stop the killing. Please drop your guns.” Juan Antonio Samaranch, President International Olympic Committee speaking at the Winter Olympics, 1994.
The sports arena has often been used in modern-day diplomacy to advocate for peace, but it has also been used to aggravate existing conflict. George Orwell wrote in The Sporting Spirit (1945) that sports is “war, minus the shooting” and has the potential to bring out the worst characteristics of nationalism. How that is controlled, or even amplified, is in the hands of those who hold the political controls.
In the days following the Pulwama incident, tensions once again began to escalate between Pakistan and India. While India’s very first reaction was the imposition of a heavy economic sanction, many of the responses which followed came in the form of sports sanctions, primarily impacting something very close to the hearts of people on both sides: cricket.
The fourth edition of the Pakistan Super League (PSL) became the primary target of the increasing hostility and vitriol. Prominent Indian-owned media companies and broadcasters, including IMG Reliance, D Sports and CricBuzz, terminated their contracts and coverage of the tournament, leading to a virtual PSL blackout in India. The Board of Control for Cricket in India (BCCI) also came under extraordinary pressure from prominent Indian sporting personalities, media outlets and ordinary citizens, to boycott the upcoming Pakistan-India match at the cricket World Cup (June 2019).
https://twitter.com/YusufDFI/status/1097384109200928768
https://twitter.com/MinhazMerchant/status/1099007211689467906
Outside of cricket, other sports have also been effected. It is suggested that Pakistan supplies 90% of the hockey sticks used in India, and would suffer heavily from an increase in customs duty of 200%. As a result, the hockey fraternity in India would have to quickly find new suppliers who could match the demand, as well as replicate the quality from across the border. The Shooting World Cup, which was taking place in New Delhi a week after the attack and was intended to be an Olympic qualifier, also got dragged into the conflict when Pakistani athletes were not granted visas to participate in the tournament.
Further economic sanctions would come later, followed by military responses, but it appears that the use of sports sanctions was going to kick start this ‘Operation Isolation’.
However, these sanctions did not prove to be effective in isolating Pakistan on the sports field. We saw the PSL replace its distributors almost immediately and have yet another successful edition. Regarding the World Cup, wide coverage of the discussions between the BCCI and the International Cricket Council (ICC) were made public, including copies of the communication between the two bodies. It is clear that the ICC and the organising team of the World Cup do not condone any political battles being played out on the cricket pitch.
https://twitter.com/TimesNow/status/1098065107693625344
Perhaps the most surprising stance came from the International Olympic Committee (IOC) in response to Pakistan’s plea regarding the Shooting World Cup. Not only did the IOC revoke the tournament of its Olympic qualification status for the particular discipline, they further went onto suspend all discussions with the Indian government regarding hosting future sporting events in India. The IOC also recommended that all international federations should refrain from hosting any international sporting events in India until written guarantees are provided assuring participation of all athletes.
This may prove to be a landmark ruling from the Olympic governing body, which has traditionally not taken such a publicly strong stance on political matters. This is especially true as the initial plea was only to do with the shooting event. However, India is no doubt going to work to revoke this suspension as quickly as possible, even if it means salvaging its ties with Pakistan. Failure to do so could mean that a number of its hosting rights and bids would be up on the chopping block, including the FIFA Under-20 Women’s World Cup (2020), the Hockey World Cup (2022/2023) and ICC Cricket World Cup (2023), among others.
https://twitter.com/mehreenzahra/status/1098830460862558208?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1098830460862558208&ref_url=https%3A%2F%2Fblogsdesk.tribune.com.pk%2Fapplication%2Fwp-admin%2Fpost.php%3Fpost%3D80906%26action%3Dedit
This of course is not the first time tensions have escalated between the two neighbours, nor is it the first time that the field of play is used for sanctions to be deployed and political statements to be made.
India-Pakistan cricket relations have been turbulent ever since they kicked off in 1952. There have been many positive outcomes where both countries have hosted each other on multiple occasions and opened up their borders for citizens to travel in support of their teams. At the same time, boycotts from governing bodies and protests from ordinary citizens have also had the opposite impact on cricket and other sporting ties between the two nations.
The Indian cricket tour to Pakistan (2004) is considered as one of the four most prominent acts of sports diplomacy, with the ‘Christmas Truce’ of World War I (1914), where German and British soldiers were said to have held informal sessions of casual football on Christmas day, being number one.
Even outside of the subcontinent, sports have always been a feature of international diplomacy, albeit a more subtle one. We have seen countless protests and boycotts when it comes to international sports, such as the Black Power Salute (at the 1968 Olympics), America’s boycott of the 1980 Olympics during the Cold War, the Soviet Union’s boycott of the 1984 Olympics, and the international sporting boycott of Apartheid South Africa. However, it would not have been difficult to foresee the potential for sports to have these impacts when the Olympic movement was first initiated. After all, it was developed on the sole idea of using sports to encourage and improve peace among the warring kingdoms in Ancient Greece.
The way international sports are conducted and covered today, indicates their potential and ability to bridge gaps between nations. With massive potential to be used as a catalyst in international diplomacy and break barriers, the power of sports can only be as strong as the will and commitment of our global leaders. In an era where hard power is frowned upon by the international community, governments are increasingly inclined to use alternative modes of diplomacy, sports included, to achieve their political goals and shape their international image. If we, the people, can understand the relationship between the two, then we can also influence its impact.
This isn’t the first time sports have been used to convey and act upon undertones of conflict and hate, and it unfortunately won’t be the last. For now, we can be aware of how these actions relating to the field of play can be used to condition or influence certain emotions within us, and also pray that our leaders use the pitches and courts to help us come together, rather than to push us apart.
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When khudkushi became her only freedom
The sky was a pool of black ink, dusted with stars at midnight. Arsh looked out from the window — she saw many little streets sprawled out below. She had only known these streets from inside the walls of her room. She had never walked on them. She had never been under the open sky. She looked at these streets longingly. To her, these streets and everything else of the outside world was a distant dream.
Arsh was thinking about him. He came again tonight. Her caramel skin flushed bright pink as he folded her into his arms. Her heart fluttered as his fingertips grazed her bare skin. She had never felt so close to a man before. Over the years, many men held her, touched her, felt her — but he was different from all the others. She fell in love with him.
She waited for him each night. She longed for him, as any lover would. On the nights he didn’t come, she was restless. She waited for him till she saw him next, till he told her how beautiful she was.
As she stood by the window and watched darkness engulf the sky, she decided she’d tell him what she felt for him. Maybe he’d take her away somewhere far. Maybe he’d relieve her of this life.
Overhead, a star blinked in the dark sky, as if telling her it was time.
The morning sun filled the brothel. It was bright inside. Arsh slipped into plain white clothes and went downstairs.
The morning is always bright. It’s the night that’s dark. It’s always the night that’s dark.
“Arsh!” Farnaz called, with a cigarette clenched in the corner of her mouth. “You look happy! I’ve never seen a bigger smile on your face.”
“I’m going away,” Arsh said in low voice, so that nobody else could hear.
Farnaz laughed. But then her eyes were suddenly wide with concern, and her skin shone pale under the gleam of sunlight.
“You know you can’t go away,” Farnaz said quietly.
Arsh smiled in reply and bustled away.
The rest of the day, she was tangled in her thoughts. She didn’t even know his name but she knew he was the one who’d save her. The world glittered with promise.
“Take me away!” Arsh whispered into his ear.
There was a steely glint in his eyes.
“Please take me away!” Arsh’s voice crackled at the edges.
He slapped her so hard her teeth rattled.
“You’re a whore,” he spat.
Arsh swallowed everything else that she had to say. The words dried up in her throat.
It was near dawn but Arsh was wide awake. She looked into the mirror, her dark eyes sunken in an ashen face, stared back at her. Her lips were stained in a dark, blood-like red. Her hair, black and velvety like the sky at midnight, carelessly tumbled down her back. Her angarkha, heavily embroidered in gold and silver threads, danced around her when she moved. 'A whore,' she thought.
She felt sparks of resentment cascading in her as she looked at herself. She felt angry. But then her anger melted and she started crying. And as a tear caught in her lip, she realised her lipstick was smudged at the corners.
His words filled her head. They were sharp, piercing—they cut through her like knives. Even after he left, the word ‘whore’ twisted inside her. It crushed her. It tinted her entire existence. It was a small word but it encompassed a bitter world — a whore’s world.
Arsh had endured years of abuse. There were different men in her bed each night. They treated her like an object. They used her and then discarded her. She was perceived as an unthinking, unfeeling being. Her existence only sparkled in the dark hours of the night. They forgot she was human too.
She looked at the faded sky from the window. She spread out her hand towards the sky, trying to reach for it. It was close but far away. Maybe just like the man who she thought would save her.
Khudkushi (suicide). The word echoed against the big, bare walls of the brothel. Its weight settled on all women who lived inside. It grew heavier and heavier, thicker and thicker, folding them in, needling them all over. It hung in the air, sharp and poisonous. 'Khudkushi,' they murmured in small voices, afraid not to say it out too loud. They didn’t want anyone else to hear. A silence spread in the brothel, full of fear and anticipation. It was suddenly dark inside, and empty despite the people. Outside, the day shifted from morning to night. And the air smelled of earth and ash and rain. And faintly of death.
Arsh took away her life. She cut her wrists and bled to death. For her, death wasn’t just an end—it held meaning. It meant freedom. It meant floating somewhere far, untethered. It meant relief from a corseted existence.
Khudkushi became Arsh’s freedom. She finally fled from a life she did not want to live.
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Iran and Iraq may not be tourist hot spots, but they offer a spiritual journey like no place else
I was recently invited to a trip to Iran and Iraq by a group of close friends from Lahore, and as I had never been to these states before, I decided to take the opportunity to visit the shrines frequented mostly by Shia pilgrims.
After all, how else was I going to be able to travel through war-torn Iraq (where the Islamic State has only recently been defeated) and gain access to the heavily sanctioned country of Iran? Mesopotamia – the cradle of civilisation and home to many Imams of the Islamic world – has been off-limits to most ordinary tourists since the days of Saddam Hussein.
We took off from Lahore and a few hours later found ourselves landing in Baghdad, the famed city of The Arabian Nights. The airport was small and run-down, and we had to wait for at least two to three hours for our group visa to be cleared. We waited patiently and entered Baghdad at dusk; there were palm trees galore and the roads were smooth enough.
Our excitement was mounting as we headed straight for the illuminating shrine of Ghous Pak (Sheikh Abdul Qadir Jilani). We paid our respects at the beautifully lit white shrine, ate the delicious langar (communal meal) of rice and chicken (provided by a Pakistani family from Faisalabad) and then headed to our hotel. We felt more than welcomed to a city founded on the west bank of the Tigris in 762AD by the Abbasid dynasty.
[caption id="" align="alignnone" width="600"] The beautifully illuminated shrine of Ghous Pak[/caption]
[caption id="" align="alignnone" width="450"] The door to his shrine[/caption]
[caption id="" align="alignnone" width="419"] His final resting place[/caption]
We stayed at Hotel Palestine, which is located near the ancient Tigris River, with a colourful history of its own; it was a favourite among foreign journalists during the Gulf wars and had been shelled!
[caption id="" align="alignnone" width="600"] View of the Tigris River from Hotel Palestine[/caption]
There are roadblocks all over Iraq and paramilitary forces with armoured vehicles can be seen on all major roundabouts. The receptionist at our hotel smiled and clapped joyfully when she discovered we were Pakistani and gave us comfortable rooms (our recent military standoff seems to have made them happy).
Baghdad looks like it is stuck in an 80's time warp – the buildings all seem to be from that era. However, most of the debris from the bombed-out infrastructure has been removed. We found it to be a bustling city with crowded restaurants and bad traffic jams.
We crossed the Tigris River many times, the last one being to visit the shrine of Persian mystic Mansur al Hallaj. He is known for his saying, “I am the Truth”, which many saw as a claim to divinity resulting in his execution, while others saw it as an instance of annihilation of the ego.
[caption id="" align="alignnone" width="450"] The tomb of the Persian mystic[/caption]
We also visited the burial place of Abu Hanifa, the founder of the Hanafi school of Sunni jurisprudence. However, the highlight of our Baghdad stay was the visit to the north of the city to Kazmain, where Imams Musa al Kazim (AS) and Muhammad al Jawad (AS), both direct descendants of the Prophet (PBUH), are buried.
[caption id="" align="alignnone" width="600"] Outside the Ziyarat of the Kazmain Imams in Baghdad[/caption]
This is a world famous shrine and one of the most important mosques in the Islamic world, with a huge gilded dome and four minarets rising above its courtyard, all covered with gold, Kufic inscriptions. There are canopied balconies, mirror mosaics, glazed tiles, and endless floors of marble. The final resting places of all the Imams buried in Iraq, we were to discover, were equally awe-inspiring.
The shrine was very crowded during our visit and there was a long walk to it as it has been bombed in the past, which is why the nearby streets had been cordoned off.
[caption id="" align="alignnone" width="600"] Armoured vehicles and soldiers guarding shrines are a common sight in Baghdad[/caption]
The other highlight of our Baghdad visit was to the 2,000-year-old Persian monument Taq Kasra, or Arch of Ctesiphon, the world’s largest brick vault. Somehow it has survived all the recent wars and is truly a sight to see, given its immense scale and elegance. Taq Kasra is located near the shrine of Salman al Farsi (RA), a companion of the Prophet Muhammad (PBUH) and the first Persian to convert to Islam.
[caption id="" align="alignnone" width="450"] Taq Kasra[/caption]
On our last day in Baghdad, we headed to the ancient town of Samarra to visit the 10th and 11th Imams, Ali al Hadi (AS) and his son Hasan al Askari (AS). Both are buried in a heavily-guarded shrine, which has been bombed twice in recent years and had to be rebuilt. Adjacent to the mosque is another domed building built over the cistern where the 12th Imam, Muhammad al Mahdi (AS), disappeared; hence the title of the Mahdi, the Hidden Imam.
[caption id="" align="alignnone" width="600"] The last place Imam Mahdi was seen[/caption]
We were sorry to leave Baghdad – there was much to see and such little time – but we had to move on to Karbala, where rain greeted us. Powerful energy emanates from this city, the burial place of Imam Hussain (RA), the grandson of Prophet Muhammad (PBUH), near the place where he was martyred during the Battle of Karbala in 680AD. Within the shrine of Imam Hussain (RA), we found the mass grave of all 72 martyrs of Karbala who fought and died alongside him, despite the heavy odds they faced.
We soon joined the thousands of people jostling to enter the Ziyarat. Opposite is the shrine of his brother, Hazrat Abbas (AS), who was also martyred during the Battle of Karbala by Yazid’s men while bringing some water from the Euphrates River for the Prophet’s (PBUH) family. There is a lovely walkway lined with palm trees between the two shrines, and we often went there to sit and pray as our hotel was nearby.
[caption id="" align="alignnone" width="600"] Hazrat Abbas (AS) shrine glistening as the sun sets in Karbala with the walkway in front[/caption]
Our next stop was Najaf, and luckily our hotel was located right next to my favourite Ziyarat: Imam Ali’s (RA) resplendent shrine. He is considered the father of Sufism, as almost all Sufi orders claim their descent from him.
[caption id="" align="alignnone" width="450"] Imam Ali's (RA) shrine in Najaf[/caption]
[caption id="" align="alignnone" width="450"] The entrance to the shrine[/caption]
After visiting his peaceful shrine, we went to Kufa to see the great mosque, one of the oldest in the world, where Hazrat Ali (RA) was struck by a poisoned sword and passed away after two days. We visited his simple but elegant house next to the mosque (thankfully preserved by the Iraqi government) where his body was washed before being buried in secret. Imam Ali (RA) had earlier dug a well in his house and even today one can drink its healing waters.
[caption id="" align="alignnone" width="600"] The Great Mosque of Kufa[/caption]
[caption id="" align="alignnone" width="600"] The house in Kufa has been preserved by the Iraqi government[/caption]
Our final stop was the city of Mashad in Iran, home of the eighth Imam, Hazrat Ali Reza (AS), whose shrine is really the heart of the city – all roads lead to his Ziyarat! We took a short flight from Najaf to Mashad, which is the second most populous city in Iran. Mashad means the place of martyrdom; Imam Reza (AS) was poisoned by Caliph al Ma’mun. A fact I learned during my journey is that none of the Imams lived to an old age – all were poisoned or assassinated.
Imam Reza’s (AS) ornate shrine is enormous, with its many courtyards and mosques, and is considered the Vatican of Iran, run in an efficient and orderly manner. It is also gorgeous, with its Persian carpets and crystal chandeliers galore. We were lucky enough to eat from the shrine’s famous langar and enjoyed the Imam’s hospitality!
[caption id="" align="alignnone" width="600"] The underground crypt where people can pray and meditate[/caption]
Mashad is a clean, modern city, and feels like it could be anywhere in Europe, except all the women wear long black chadors.
Before we knew it, our visit was over, and tired but rejuvenated we found ourselves on the plane back to Lahore. There were so many memories to treasure and so many adventures to retell. Iraq is slowly recovering from war and getting back on its feet, and I would recommend everyone to go visit this fascinating country alongside Iran, regardless of your religious beliefs. As we were told wherever we went,
“Ziyarat qubool.”
(May your pilgrimage be accepted)
(All photos by author)
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Rawalpindi: A chaotic labyrinth, caught between heritage and heresy
In the post-modern world, the topography of the city has undergone a drastic shift. Rapid urbanisation and growing job opportunities have resulted in many cities in the developing world being swamped by an increasing number of people coming in from the villages and suburbs. In order to accommodate this burgeoning populace, the intrinsic structure of the modern metropolis has had to evolve.
Countries such as India and Pakistan have had to grapple with the dual ambitions of wanting to urbanise their cities while also wanting to hold onto their rich architectural heritage. The complex history of a multi-ethnic country such as Pakistan has been razed to the ground in order to erect soulless towers to replace the colonial monuments which have served as a reminder of our turbulent past.
[caption id="attachment_81733" align="alignnone" width="600"] Heritage building encroached on by local traders at Jamia masjid road.[/caption]
Rawalpindi is an example of a city wrestling with these two seemingly dichotomous aims. On the outskirts of the Rehmanabad Metro station lie some old houses with large verandas and an edifice which is almost reminiscent of the homes in Downtown Abbey. Erected in the early 1960’s, they adorned the city with their marvellous porticos and the locality came to be known as Satellite Town. During the time that Islamabad was being built as the nation’s new capital, Satellite Town functioned as a diplomatic enclave of sorts, with many embassies located there. The Victorian-style houses were thus built to accommodate foreign dignitaries residing in the city.
[caption id="attachment_81748" align="alignnone" width="600"] A night view of Jamia Masjid Rawalpindi which was founded in 1905.[/caption]
Over the years, however, as Islamabad became the diplomatic hub, Satellite Town found itself shrinking in importance, and the neighbourhood was consumed by a city which was expanding at an unprecedented rate. The old houses of the locality now stand like ghostly relics of the past.
[caption id="attachment_81678" align="alignnone" width="452"] Chan bazaar, Rawalpindi.[/caption]
[caption id="attachment_81734" align="alignnone" width="450"] A view of Raja Bazaar road.[/caption]
In a house on Sadiqabad road lives an old engineer who has closed the gates of his house, along with his heart, to the outside world. The resident is Afzaal Ahmad, a man who comes from a distinguished family of army personnel. While looking at his old photographs, Ahmad recounts:
“The Rawalpindi I was raised in was a marvel, an image straight from the British calendars. Smooth clean roads, small markets, coffee shops along with a nice book shop (London Books company), low traffic and an orderly crowd.”
[caption id="attachment_81736" align="alignnone" width="600"] The main entrance of the Afzaal Ahmad's house.[/caption]
[caption id="attachment_81737" align="alignnone" width="600"] Old magazine ads from the collection of Afzaal Ahmad.[/caption]
[caption id="attachment_81745" align="alignnone" width="600"] Rawalpindi's Kashmir Road in the 1960's. From the records of Afzaal Ahmad.[/caption]
The markets at the time were quite small and there was only one major road in Saddar at the time, Mall Road, which catered to everyone's needs. Ahmad recalls that the famous road had a hairdresser, a laundry shop and few clothing outlets as well. He adds:
“I remember most of my classmates in Station school were British or Anglo-Indians. Anglo-Indians were considered to be the most educated after the British. I still remember this one Anglo-Indian traffic sergeant who used to roam around alone on Murree road. People were so afraid of his discipline that they wouldn’t cross the road until he had gone away.”
[caption id="attachment_81738" align="alignnone" width="600"] Backyard of the house.[/caption]
[caption id="attachment_81743" align="alignnone" width="600"] An old building occupied by partition migrants in Saddar.[/caption]
For Ahmad’s generation, and the ones which followed, things took a downward turn after Zulfiqar Ali Bhutto came to power. Fearing the consequences of nationalisation and increasing religiosity, many foreigners fled the country. The Anglo-Indians too fell prey to this and many migrated to America and Australia. The resultant vacuum gave rise to a new emerging class of locals who had a different mentality. They were hungry to tear down the old to make way for the new.
[caption id="attachment_81744" align="alignnone" width="338"] An old temple in miserable condition in Moti Bazaar.[/caption]
[caption id="attachment_81749" align="alignnone" width="475"] A name plate outside a house in Dhakki mohallah, Angat Pura.[/caption]
Rawalpindi as a city has always had a storied history. Punjab has been ruled by Graeco-Bactrian Kings and later by the Sakas, Iranian nomads, and in 1765 Sardar Gujjar Singh controlled the area which is now called Rawalpindi. The city remained under Sikh rule till 1849 when it was taken over by the British. Hence, this land has had many identities, and one can find linkages to an extraordinary past through the city’s buildings and districts.
[caption id="attachment_81679" align="alignnone" width="600"] A view of Moti bazaar, Rawalpindi.[/caption]
Despite the removal of the Sikh Raj, the Sikh community remained an integral part of the cultural fabric of Rawalpindi till 1947. Their remnants are still visible in Kartarpura, Angatpura, Arjun Nagar, Mukha Singh state, Old Banni and adjoining areas. The city was predominantly influenced by Rai Bahadur Sujan Singh whose haveli (house) still stands in the old Bhabra Bazaar.
Rawalpindi at one point in time was a jewel, a unique blend of both old and new architecture. Over the years, people that have been allotted these vacant properties have damaged them due to sheer negligence, and today these buildings are but a shadowy reflection of their former glory.
[caption id="attachment_81739" align="alignnone" width="600"] An old pre-partition haveli in Saidpuri gate trying to save its colors from the wrath of the modern age.[/caption]
[caption id="attachment_81741" align="alignnone" width="600"] A colonial style balcony on College Road, where famous Indian actor Balraj Sahini grew up.[/caption]
Rawalpindi today is a chaotic labyrinth. Building laws and municipal regulations are virtually non-existent. Politicians and profit-driven land owners have given local municipal authorities the approval to demolish heritage buildings and sites. Commercialisation has trumped heritage. Heretics have squashed history. Rawalpindi still has the potential to become the epicentre of regional heritage, but only if preservation work is begun immediately.
Today, the view from the metro bus offers a gloomy look at a frenzied skyline onto a city which does not know what it wants to be because it has forgotten what it once was.
(All photos by author)
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Raw and poignant, A Place for Us beautifully sheds light on familial love
It had been some time since I cried while reading a book. And A Place for Us changed that. Fatima Farheen Mirza’s dazzling debut novel tells the story of a South Asian Muslim family living in America.
The family members find themselves torn between discovering their individual selves, while also grappling with their respective roles within the family. As a result of living in a deeply polarised American society, the characters in the novel are in a constant battle with themselves, their family and the world around them, each looking to find relevance, liberty and peace.
Interestingly, one of the main talking points with regards to this book has been Sarah Jessica Parker's involvement in its publication. The Sexy and the City star chose Mirza’s novel as the first book to be published under the Parker imprint for Hogarth publications.
A Place for Us begins at the wedding celebrations for the family’s eldest daughter, Hadia, in California. The occasion, however, is made all the more special due to the youngest child and only son, Amar, coming back home after having fled three years ago. The story thus revolves around the circumstances which led to Amar’s estrangement from the family and the narrative is interspersed with memories from the parents, Rafiq and Layla, and their children, Hadia, Huda and Amar.
What I found particularly inventive about the narrative was how the story unfolds through the point of view of a host of different characters, with the same memory often being shown through different perspectives. We are thus able to see how the same moment impacted each member of the family in a wholly unique manner.
Mirza beautifully brings to light the nature of familial love, which can be limitless and unwavering, but also envious and petty. The depiction often seems like that of a typical diaspora family, with parents trying desperately to instil both Muslim and South Asian values in their children and encouraging them to speak their native language at home. The author explores the subtle dynamics of the household, from the siblings safeguarding each other’s secrets, to the family following Islamic rituals and customs like fasting in the month of Ramazan and observing Muharram.
But that’s just the feel-good part of the book. What is heart-wrenching, poignant, and particularly relevant for our part of the world is how Mirza explores the pressure parents tend to put on their children. South Asian parents often have their own expectations from their children, insisting that they must be obedient, unquestioning Muslims and top performing students who go on to become either doctors, engineers, lawyers or entrepreneurs. The novel attempts to illuminate how pitting children against one another, failing to acknowledge past mistakes and the inability to express love can tear a family apart.
Hence, when Amar leaves, a part of Rafiq and Layla’s souls also leaves. But by then it’s too late to mend their broken ways. Perhaps the saddest thing in the world is to see your child leave you because of your own mistakes. Not feeling at home with your own family is a tragedy, one which Mirza renders beautifully on the page.
And so, I cried when the family was torn apart because of secrets, betrayals, and the smallest of estrangements which could no longer be brushed under the carpet. The last section of the book, told from Rafiq’s perspective, is absolutely devastating. The feelings of an emotionally-reserved father, who falls prey to his own shortcomings, are expressed in a remarkably raw and affecting manner, which is quite an achievement for a debutant writer.
Mirza has done a truly commendable job at penning down the story of a family over decades, and it is no surprise that her novel has received great critical acclaim. The recurrent themes of children trying to find their own identity and parents trying to protect and understand their children resonate at a deep level. After this stellar debut, one hopes that Mirza is able to pack the same amount of authenticity into her next novel, one which I am eagerly awaiting.
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Sea Prayer by Khaled Hosseini: A father’s lament of the barbarity we call human beings
“My dear Marwan, I look at your profile,
In the glow of this three-quarter moon, my boy,
Your eyelashes like calligraphy,
Closed in guileless sleep.
I said to you, ‘Hold my hand.
Nothing bad will happen’.”
These are a few verses from the context of Sea Prayer, the fourth book by Khaled Hosseini. Hosseini is a well-known author of three books, including the international bestseller The Kite Runner, and is the Goodwill Ambassador to the Office of the United Nations High Commissioner for Refugees (UNHCR).
Sea Prayer is a 40-page book, or rather, a free verse poem beautifully complemented by Dan Williams’ illustrations. It can best be described as a small prayer to the sea by a helpless father on a moonlit beach, who is going to cross the Mediterranean with his child as soon as dawn arises but in less than ideal circumstances.
The story begins with the remembrance of the happy days spent by the father in Homs, Syria when the city was at peace, with its bustling and crowded lanes and streets. Of a time when the stirring of the olive trees and clanking of pots used to awaken him, and when this city of western Syria was not dismantled by bombs, starvation and death. The father wishes for his son to remember some of the more pleasant memories of Homs.
The story has been inspired by the three-year-old Syrian boy Aylan Kurdi, whose body washed up by the sea on the shore of Mediterranean Sea in 2015 as he fled the Syrian War. While talking in an interview, Hosseini became teary-eyed even as he remembered seeing the photograph of Kurdi.
“I was gutted,” he says. “I tried to imagine, as a father, what it must be like to see viral photographs of your deceased three-year-old lying face down on the sand at the water’s edge and being lifted into the arms of a stranger.”
He also stated,
“I hope that this book Sea Prayer is a small tribute not only to his (Kurdi’s) family, but also, on a broader level, I hope it highlights the unthinkable despair that thousands of other ordinary people face every day to abandon home and community and take a chance on this brutal and often lethal journey across the sea.”
Hosseini thus pays tribute to Kurdi’s family through his Sea Prayer, while portraying the tragic and wretched condition of millions of refugees all over the world with help of Williams’ illustrations.
The beautiful memories of Homs are like a dream now, not only for the son but also for the father. Protests followed by the atmosphere of fear and beleaguerment, the black skies showering bombs and bullets instead of rain, and the sight of living bodies buried under devastated buildings is all that remains in their memories of Homs.
In Sea Prayer, Hosseini not only points out the way in which the war imposed by mighty powers upon Syria has destroyed the childhood of millions of innocent kids, but also highlights the emergency and the growing crisis of refugees being forced to leave their homes and approach smugglers in search of safe shelters which are in actuality not safe at all.
A heartrending letter from a father to his son provokes in us the thought of the thousands of refugees who risk their lives on the threshold of death every year just in search of shelter, while many of them simply perish at sea without leaving anything behind. Every night they sleep among the remains of human flesh burnt by explosive bombs, with their own bodies stained by blood, dreaming of a better future – a hope for a safe shelter, a desire for a home. Carrying their misfortunes, they are longing for acceptance and searching for a place where they are welcomed.
But no one cares. Not even the sea.
The sea is deep. It is vast. A large swarm of unwelcomed and unasked bodies of flesh are waiting impatiently at the cold beach for the sun to rise. The father sees his son, his only precious cargo, and tries to console his sleeping being with his words, while praying that the sea knows his worth. It kills him every time he thinks of the depth and vastness of the sea and the helplessness of his own self. At this instant, the mother’s voice comes up:
“Oh but if they saw, my darling.
Even half of what you have.
If they only saw.
They would say kinder things, surely.”
The book will make tears fall out of your eyes silently as the deep ocean engulfs the bodies of thousands of refugees fleeing war and persecution. Some pages are without any words, and here the illustrations speak more powerfully than words ever could. Quietly, they will make your heart wail in silence due to the barbarity of what we call human beings. Humans, the greatest creation ever to be created, that cannot even feel the pain of its fellow beings.
Every word, every illustration in this book will leave a deep mark on your heart. The demonstration of the transformation of a peaceful, crowded and bustling Homs into the city of death; no one could have written this better than Hosseini. No words could carve out such an impression on a heart other than his own. This book deserved to be written purely, with a heart that could feel the pain and emotions of thousands of homeless Syrians, Afghans, Somalis and Iraqis. Then who would be better than Hosseini to write it? After all, no one could feel the pain of a refugee better than a refugee himself. As he stated,
“If I was a father on a moonlit beach about to take one of these journeys, you can bet that I would... say one of these prayers too.”
Sea Prayer is about questioning your own self: what would you have done if you had to abandon your home and cross a deep sea on a cold night? How would you have reacted if you had lost your loved ones in the same sea?
Imagine them dead. Imagine their fates being ended as a feast for the sea. Imagine the struggle of their last breaths before they were taken forever. Imagine them being washed up by the sea at the shore itself. How would you have felt? Imagine how a father would have felt to see his three-year-old like this?
Hosseini leaves the grave questions for the mighty powers of the world to ponder through his short work of fiction!
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Is Pakistan’s N-CPEC+ vision finally beginning to take shape?
Pakistan’s unique geostrategic location at the crossroads of East, South, West, and Central Asia enables it to function as the “Zipper of Eurasia”, as I wrote over half a decade ago in September 2015 for the Russian Institute of Strategic Studies. I built upon this observation in March 2019 to declare that the creative leveraging of the unprecedented trans-regional connectivity potential offered by CPEC enables Pakistan to become the Global Pivot State. This ambitious vision is finally beginning to take shape after Prime Minister Imran Khan and the Uzbekistani Minister of Transport agreed to pursue a trans-Afghan railway line on Wednesday.
I previously proposed such a corridor in my April 2019 debut analysis for CGTN about how “CPEC+ Is The Key To Achieving Regional Integration Goals”, which described the northern branch of CPEC through Afghanistan into Central Asia as N-CPEC+ (“N” referring to North). Eventually, this corridor could expand as far northwards as Russia to create a new North-South integration axis across Eurasia which aligns with President Putin’s vision for the Greater Eurasian Partnership (GEP) like I explained in an academic article that I co-authored over the summer that was republished by the prestigious Russian International Affairs Council (RIAC).
As Pakistan begins to take on a more prominent role in trans-Eurasian integration processes, its strategic importance to both China and Russia will continue to rise. Both Great Powers have a shared interest in the South Asian state fulfilling its destiny to unite the supercontinent through CPEC+. It’s only through this connectivity paradigm that a true Convergence of Civilisations can occur, like I explained in an analysis for CGTN in May 2019. The outcome of Eurasia’s diverse civilisations cooperating on trade and other forms of integration could powerfully discredit Huntington’s infamous prediction about a coming “Clash of Civilisations”.
Russian, Chinese, and Pakistani interests are all directly served through N-CPEC+. Moscow’s regional allies can become more internally stable as their economies grow upon securing access to the global markets that this corridor provides through the Indian Ocean, as could Russia’s resource-rich Siberian region. Beijing, meanwhile, will see its Pakistani-based CPEC investments put to use as a springboard for trans-continental integration processes and could also secure contracts to construct parts of its northern branch expansion as well. As for Islamabad, it would financially benefit by having its ports facilitate Central Asian trade with the wider world.
N-CPEC+ is therefore more than just a connectivity corridor, it’s a grand strategic concept for the future of intra-Eurasian relations in the emerging Multipolar World Order. Russia, China, and Pakistan are coming closer together as each country realises that they need the others in order to fulfill their shared vision of stability in the supercontinent. In fact, continued movement in this direction might even lead to the creation of a new multipolar trilateral between them to replace the stalled one between Russia-India-China (RIC). The end result could be that a Golden Ring rises between them, Iran, Turkey, and Azerbaijan in the Heartland of Eurasia.
To be clear, this won’t happen overnight, but the progress that was just made on agreeing to the Peshawar-Kabul-Mazar-e-Sharif trans-Afghan railway shows that the political will is certainly present to take this vision to its ultimate conclusion with time. Some formidable obstacles still remain, however, such as the unresolved conflict in Afghanistan and the efforts of external powers like India to sabotage this vision. There are also obvious questions of financing and other issues related to project implementation, as well as identifying which companies in the region and beyond are most eager to immediately tap into this project upon its completion.
Nevertheless, there are plenty of reasons to remain optimistic, especially since it’s becoming undeniable that Russia and China both appreciate the strategic significance of Pakistan’s N-CPEC+ initiative to their GEP and Belt & Road Initiative (BRI) respectively. In fact, as GEP and BRI continue to synergise their connectivity capabilities, their patron states are realising that N-CPEC+ is indispensable to the success of their joint vision for the supercontinent. This understanding is accelerating trilateral integration between them and therefore leading to one of the most exciting geopolitical developments of the 21st century thus far.
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The eccentric and animated Mohsin Abbas Haider
Mohsin Abbas Haider has been part of the media fraternity for a good 10 years. It was only when he played the eccentric Punjabi boy, Moon, in the caper-comedy Na Maloom Afraad (NMA) that he managed to draw attention towards his talents.
Post-NMA life has been pleasant for Mohsin. The success of the film meant more offers were never a problem. However, slowing down has been a conscious decision. Aiming to make the most of his run of form, both in film and TV, he has put pen to paper for Teri Meri Love Story, a romantic comedy being helmed by funnyman Jawad Bashir.
Talking to The Express Tribune about his role in the upcoming film, the occasional singer-cum-actor shared his excitement about the prospects of working with Jawad whose style he has always looked up to. “Whether it’s Dr Aur Billa, College Jeans or VJ, his works have been admirable. So the offer to star in Teri Meri Love Story was almost a no-brainer for me,” maintained the actor.
‘Teri Meri Love Story’ to go on floors
With the way things are shaping up for the film, chances are that Mohsin may be seen rubbing shoulders with some of the most renowned and celebrated actors of the industry, namely Mohib Mirza, Salman Shahid, Junaid Khan and most likely Syra Shehroz as well. While many a newcomers may feel overwhelmed by this opportunity, Mohsin on the other hand believes that his acting style makes him somewhat tailor-made for comic roles. “You see, I’m a very besharam actor. I don’t get overawed by my fellow co-stars.”
Citing his performance in NMA as a case in point, he noted how a relatively unknown actor was able to hold his own in the presence of Fahad Mustafa, Javed Sheikh, Salman Shahid and Nayyer Ejaz.
He is of the view that no excuses can be given for a below-par performance. “I couldn’t have to go to the homes of the audiences and explain that I was not able to give my best shot simply because legends like Javed Sheikh were around me. That is not on,” he added.
‘Na Maloom Afraad’ goes to Harvard
However, he is not one of those who deny the positive influence of their seniors. Mohsin credits Javed and Salman for encourageing him to perform to the best of his abilities.
While NMA saw him essay the role of a loud and animated character, Mohsin said the college boy that he is playing in Teri Meri Love Story is a far cry from Moon. However, he said he will not have to prepare too much. “I may look old but I’ve just come out of college. Even the dust from my boots is yet to be removed,” he laughingly stated. He quickly added that his college life will greatly help him slide under the skin of his character.
Will Jawani Phir Nahi Ani hit the 300m mark
A trained musician from the National Academy of Performing Arts (Napa), Mohsin’s singing tone is termed suitable for playback singing. The Mazaqraat star did lend his voice for one of NMA’s tracks, Sapno Ki Maala. If things do pan out as planned, he will once again be stepping into the vocal booth, this time for Jawad’s film.
Published in The Express Tribune, December 9th, 2015.
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From the makers of ‘Na Maloom Afraad’ comes ‘Actor in Law’
Almost a year and a half has lapsed since the roaring success of Na Maloom Afraad, but the achievement still continues to echo in the evolving Pakistani film industry.
Having provided local filmmakers with a template for comedy films, there had been a lot of curiosity regarding the director-producer duo, Nabeel Qureshi and Fizza Ali Meerza’s next project.
Putting all those questions and queries to rest, the two officially unveiled their next project, a social comedy titled Actor In Law. While the return of Fahad Mustafa and Mehwish Hayat adds to the charm of the movie, the real catch for cinemagoers will be Bollywood actor Om Puri marking his Pakistani film debut.
Om Puri's first Pakistani film to release on Eidul Azha
Not willing to divulge into plot details of the film, director Nabeel Qureshi described it as a "social-comedy".
Even though Qureshi acknowledged there was a certain monkey on their back following the popularity of Na Maloom Afraad, he was determined to ensure that his follow-up was better than his previous film.
"Rather than telling jokes, I enjoy telling stories. And audiences can expect the same with Actor In Law as well since it has a very unique story," said Qureshi.
With the first spell of shooting nearing completion, the cast shared experiences of working on the movie and sharing screen-space with Om Puri.
Lahore would be film capital if it weren't for partition: Om Puri
Fahad Mustafa sang praises for the production team behind Na Maloom Afraad, terming the previous movie as an "ice-breaker". He shared the film opened multiple avenues for local cinema. Stressing on the importance of telling different stories, Mustafa exclaimed it was the script for the film that was the real winner.
"Our film industry is growing and the world needs to see the various interesting stories that we have to tell," said the actor.
Apart from Mustafa, the film also stars Alyy Khan who has previously appeared in Indian movies like Don 2.
Sharing how this collaboration came about, Khan said, "Unlike the rest of the cast and crew that had previously worked in Na Maloom Afraad, I met the duo filming an advertisement for a digestive. And it was there that we felt the need to collaborate on something."
Where most of the cast seemed dressed to impress, Om Puri walked on to the stage in a black shalwar kurta as he proceeded to take his place between the director and producer.
Pakistani cinema will have an identity of its own: Imtiaz Ali
It seemed as though the actor felt completely at home despite this being the first time he was appearing in a Pakistani film. But for a person who has previously played the late General Zia Ul Haq in Charlie Wilson's War - he felt it was a natural progression that he was finally appearing in a film across the border.
Praising the team for churning out a remarkable script, the actor even threw some light filming in the city of lights. “In one hand I had a briefcase and in other a file and Nabeel just drove me around Karachi on his two-wheeler," recalled the Bollywood actor.
Directed and produced by Nabeel Qureshi and Fizza Ali Meerza, respectively, the film is based on an original script written by the duo. The film also stars Mehwish Hayat, Rehan Sheikh and Talat Hussain. The music for the film is composed by Shani Arshad whereas Rana Kamran serves as the director of photography. Actor In Law is expected to release on Eidul Azha, 2016.
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‘Na-Maloom Afraad’ make comeback
The ‘Na-Maloom Afraad’ [unidentified men] seem to have become active in Karachi once again after the emergence of banners inscribed with the slogan, ‘Jo Quaid ka ghaddar hai, maut ka haqdaar hai’ [The traitor of the Quaid deserves death], outside the Sindh High Court (SHC) on Monday.
Altaf Hussain posters taken down in MQM's Karachi stronghold
The banners have surfaced when the Muttahida Qaumi Movement (MQM) leadership in Pakistan has disassociated itself with the party’s founder. Police swung into action after television channels aired the news about the banners.
“The banners were put along the grill of the SHC’s park and Regal Chowk,” confirmed South SSP Saqib Ismail Memon. He said three suspects sitting in a car parked near the banners were taken into custody.
‘Na Maloom Afraad’ goes to Harvard
Memon said the police are investigating and trying to trace the suspects behind the move. The banners, apparently signed by ‘lovers’ of Altaf, were later taken down by the police.
Published in The Express Tribune, September 6th, 2016.
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iflix pledges to promote local content at Pakistan launch
In addition to revamping industry dynamics, digital streaming platforms have transformed how people experience entertainment.
Following the footsteps of Netflix, that launched in Pakistan last year, Malaysia-based video-on-demand platform iflix has entered the local market offering local, Korean, Hollywood and Bollywood productions.
Netflix launches Pakistani dramas
“Platforms such as Netflix and others focus on 40 countries, and that’s where they generate their revenue from. But we realise that there is an untapped market in developing countries and it has a lot more potential,” iflix general manager Farees Shah said at the platform's launch.
Besides Pakistan, iflix is currently available in seven other countries including the Philippines, Malaysia, Sri Lanka, Indonesia, Thailand, Brunei and Maldives. According to Shah, the phenomenon increase in the number of cell phone users in Pakistan was a key reason behind penetrating the market. “It means that the entire business model will change in a few years, when 50 million to 80 million Pakistanis will be online,” he said.
iflix has its eyes set on transforming people viewing pirated content into paying customers. At an affordable Rs300 per month, the service offers over 5,000 hours of content.“People opt for pirated content because of poor access,” Shah added.
Netflix adds 7 million subscribers in global expansion
Apart from creating a personalised playlist, the network also has a feature called iflix follow. “With this feature, you can follow your favourite celebrities and see what they are watching. The list will feature playlists curated by them,” he said.
As far as video quality is concerned, an HD option is currently unavailable on iflix. “We have the rights to put up HD content. Since most people don’t have access to fast internet, we elected to hold it for now. The available videos are still of great quality,” Shah said.
Na Maloom Afraad has been the most watched film on the just 10-days-old website. “It’s the only Pakistani film available but it’s the most watched one,” he said. “While we have a lot of foreign content, our main market lies in local content,” Shah said.
When asked if they planned to include more Pakistani films, he said, “We are in talks with some local filmmakers and they are interested. We plan to add more Pakistani films with the passage of time,” he said.
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Na Maloom Afraad's 'Kaif O Suroor' proves that Sadaf Kanwal should stick to modelling
The much-anticipated item number Kaif O Suroor is out and what an epic fail!
Instead of being innovative for once, Sadaf Kanwal's latest rendering squeals of Katrina Kaif's MashAllah song. Notice I said 'squeals' because watching Sadaf perform is like witnessing an atrocious pantomime - one you can't wait to leave - or maybe one you'd pay not to see!
Na Maloom Afraad sequel's first rib-tickling trailer is out!
Makeup that reminds us of certain characters from Thundercats, Sadaf doesn't even look close to the magnetic diva she is on print photoshoots. But at least the Thundercats were entertaining and adorably inspiring! Sadaf, to say the least, looks like a programmed expressionless robot with gaping overdone eyes no one wants to drown in!
It takes spunk to create a magnetic field that grabs onlookers' attention in a positive fashion, not over-elaborate garb and a ridiculously vivid fuchsia pout. And dance isn't all about following steps mechanically, it's about facial expressions and 'dancing with your face' as well.
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One thing she needs to learn and absorb: Baring your toned midriff and prancing around exhibiting your lower back tattoo doesn't cut it. I actually like what she's wearing because it totally fits the song BUT what a waste of wardrobe and makeup (no, seriously, that eye-makeup game was so strong, it blinded us uncomfortably)!
I get you're going for an Arabic theme and borrowing bits from belly dancing, but at least nail what you're stealing!
We got to give it to Mehwish Hayat for nailing her item numbers (especially Billi) with flair. Maybe she should teach her peers a thing or two about expressions, energy and emitting rejuvenating vibes.
Sorry, but this doesn't cut it one bit.
https://www.instagram.com/p/BVho1q_DsZ5/?taken-by=sadafkanwal&hl=en
The song's setting seem to be as forced and predictable as Sadaf's next dance move — empty and lifeless! But those shady men in the back-drop manage to at least convince us that they're up to no good — and they grab attention from the Thundercat immediately and our minds begin fabricating details that don't involve Sadaf in any way — which is kind of sad for an item girl.
Na Maloom Afraad 2: song teaser featuring Sadaf Kanwal is out and we have little to say
The vocals by Aima Baig are on point and the song certainly sounds seductive but it all ends when you see the visuals. Sorry Sadaf, but you should stick to gracing magazine spreads; item numbers aren't your ball game!
PS: Mallika Sherawat grooving to Jalebi Bai has never been more missed and appreciated!
https://www.youtube.com/watch?v=p6Gx7pMTKos&feature=youtu.be
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I've finally got a reason to live: Mohsin Abbas Haider on newborn daughter
Mohsin Abbas Haider recently gave us a glimpse of his newly-acquired fatherhood. The Na Maloom Afraad actor - who couldn't contain his excitement on the arrival of his baby girl Mahveen Abbas Haider, was quick to share photos of her on social media.
https://www.instagram.com/p/Ba3oXeeAti8/?hl=en&taken-by=mohsinabbashaider
In one of the pictures, Mohsin can be seen kissing his daughter which he captioned “After all these years, I’ve finally got a reason to live.” The other image shows him on daddy duty.
https://www.instagram.com/p/BbBr9gvgfMI/?taken-by=mohsinabbashaider
Fans of the actor poured in their love for the father-daughter duo all over Instagram and wished the best to his baby.
[caption id="attachment_1549625" align="alignnone" width="625"] PHOTO: INSTAGRAM/MOHSIN ABBAS HAIDER[/caption]
The musician-turned-actor gained a lot of popularity for his role as ‘Moon’ in Na Maloom Afraad which he recurred in the sequel, Na Maloom Afraad 2. The singer has voiced a number of songs as well, one of the most famous being Coke Studio’s Uddi Jaa. He has previously been an RJ and currently hosts a TV show Mazaaqraat.
The star behind the Moon
Na Maloom Afraad, released in 2014 and has been the longest running movie in Pakistani cinemas since 2007, beating the records of Khuda Ke Liye and Waar. Despite the temporary ban of the sequel in Punjab, the film still managed to entertain audiences with its slapstick jokes and highly-talented cast.
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My ex-wife Salma Agha stopped me from working with Rekha: Jawed Sheikh
For those of us who came of age in the late 1980s, are unquestionably familiar with Jawed Sheikh and his plethora of work. He has been around for decades and at 60 plus, he is refreshingly unchanged - hair a bit thinned, face slightly fuller, but otherwise, still the same JS. Boyish energy and cheerful cadences still unmoved from four decades on the screen; this is classic JS – a superstar of the highest order.
[caption id="attachment_1562017" align="alignnone" width="625"] PHOTO: TIMES OF INDIA[/caption]
It’s 2017 and JS still offered to hold the door for me and his mannerisms were exemplary. This is typical JS appearing to break the fourth wall of his celebrity status to welcome us. If he has survived all these years in the spotlight relatively intact, it is definitely through a combination of amazing work and his kind approach towards people and life generally.
[caption id="attachment_1562018" align="alignnone" width="625"] PHOTO: FILE[/caption]
“As an actor, I think your job is to show up on time. It’s the first lesson I learned as a professional actor. You must show up on time,” he said. From being part of Pakistan’s biggest blockbusters like Na Maloom Afraad, Wrong No., Jawani Phir Nahi Ani to working with Bollywood superstars like Shahrukh Khan, Salman Khan, Akshay Kumar and Ranbir Kapoor in Tamasha, there isn’t anything that JS hasn’t excelled at.
https://www.instagram.com/p/BZN4pcFlErt/?taken-by=momal15
Words melted out from his soul in a revealing interview with The Express Tribune as he divulged out his days of struggle, his return to the film scene and his turbulent marriage with Salma Agha.
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ET: What was your first film? How did you land that role?
JS: Back in 1974, I was doing small roles on radio and theatre and was friends with one of the cameramen, Madad Ali Madad. He asked me to go for an audition and I did. There were many others there and I didn’t have any expectations of getting selected either. Amar Ali Zaidi, the Salgirah famed director liked my audition and selected me for the lead role of his film. The film titled Dhamaka was written by Ibn-e-Safi and produced by Mohammed Hassan Talpur. I was paired with Shabnam, one of the best heroines of that time. That’s how my journey to stardom started.
[caption id="attachment_1562003" align="alignnone" width="625"] Jawed Sheikh with Shabnam. PHOTO: ANIS SHAKUR[/caption]
ET: Have you had any bad experiences in the industry since you first started?
JS: My first film Dhamaka was a flop, but I still managed to get another offer from Zahid Shah. It was for a supporting role so I was doubtful about accepting the offer. Shafi Mohammed who was cast as the lead actor in Zahid’s film said that we should just enjoy working together so I agreed. However, on the sixth day of filming I was replaced by Faisal Rehman. A distributor from Punjab Popular Films was against my selection because of my previous flop and had threatened to not buy the film if I was not removed. I felt horrible and frustrated and it’s something that I still cannot forget.
ET: How did you cope with that incident that made you the star you are today?
JS: I was disappointed after being replaced from Zahid’s film but I didn’t give up. I continued theatre and in 1982, after nine long years, Shoaib Mansoor cast me in his drama, Ankahi. The drama received acclamation from all around the world and took me to new heights. It helped me score a lead role in Nazar Shabab’s film Kabhi Alvida Na Kehna. I was then offered a film by his brother, Zafar Shabab after which offers came pouring in one after the other. All of them proved to be hits and I became a superstar.
[caption id="attachment_1562004" align="alignnone" width="625"] PHOTO: INSTAGRAM/MOMAL SHEIKH[/caption]
ET: What is the biggest compliment you have received so far?
JS: I was in London shooting Hassan Askari’s film Hum Aur Tum with Salma Agha in 1985. Salma’s mother hosted a reception in honour of the great legend Dilip Kumar where notable names from the Indian fraternity were present. I was invited and introduced to Dilip Sahab who stood up and welcomed me with a warm hug. He said “I know you very well. You have done tremendous work in Ankahi - so much so that Saira and I binge-watched all 13 episodes in one night.” That’s the biggest compliment I’ve ever received in my life.
[caption id="attachment_1562006" align="alignnone" width="625"] PHOTO: FILMFARE[/caption]
ET: Were you offered an Indian film then?
JS: I have cooperated with all my producers and directors in every way I could, and have worked with dignity and passion in both Pakistan and India. It’s a record for me that I’ve never asked for a role abroad because I was already established in Pakistan, but Indians saw my work and liked it and hence offered me roles in their films. I got married to Salma Agha and was with her most of the time in Bombay – not for the films but to stay with my wife then. I met Rakesh Roshan who offered me a lead role opposite Rekha in his film Khoon Bhari Mang. Everything was finalised but Salma was unhappy about me working in Rakesh’s film and romancing Rekha. Her strange reaction made me cancel the film contract and I thought this would also avoid any potential gossip stating that I was staying with her to find roles in Indian cinema. Our marriage then hit a rough patch and I had no reason to stay in Bombay anymore.
[caption id="attachment_1562007" align="alignnone" width="640"] PHOTO: FILE[/caption]
[caption id="attachment_1562011" align="alignnone" width="640"] PHOTO: FILE[/caption]
ET: Are you a romantic person by nature?
JS: Yes, undoubtedly I am (laughs).
ET: You’ve been a part of many scandals. Is there any truth to those “rumours”?
JS: I had many scandals back then and I never tried to hide anything. I was married to Salma but my name was also paired with actors Neeli and Sana. However, I never denied those affairs because they did happen. People usually deny such things but I don’t need to. I was romantically involved with them and I don’t need to shy away from accepting that.
[caption id="attachment_1562013" align="alignnone" width="640"] PHOTO: FILE[/caption]
ET: There is a popular saying 'scandals bring fame'. Do you think your fame index shot up after every scandal?
JS: All the rumours that people heard were true but I was already a superstar by the grace of Allah and never needed the support of any such scandal or link-up to get famous. It may have served the ones I had affairs with but I have tried not to hurt or harm anyone in any way.
ET: How has your experience been in the Bollywood industry so far?
JS: My last film was Tamasha by Imtiaz Ali where I played Ranbir Kapoor’s father. I find the Bollywood industry extremely professional and I am trying to introduce the same practice here.
ET: So far Pakistani films have failed to do well in India. Do you think Pakistan's films are not readily accepted there?
JS: Pakistani films are very well received in India. I attended the premiere of Shoaib Mansoor’s Khuda Kay Liye and the film was warmly welcomed from the Indian audiences. Even Ramesh Sippy, the Sholay famed director said, “I wish I could make a film like this.” Our films do well in India but only if they are screened there and unfortunately, that is not happening. We have good stories and talented artists that make for a complete package and moviegoers in India love to watch Pakistani films. However, they are unable to do so due to the ban imposed by their government.
https://twitter.com/JawedSheikh7/status/886714108611047424
ET: Do you think that Bollywood movies should be banned in Pakistan then?
JS: The question is rather political. There is nothing wrong with screening Bollywood movies in Pakistan but I believe India should allow screening our movies too. Nowadays, there’s a tit-for-tat reaction to everything but I believe there should be a bilateral agreement between the countries on free cinema environment. It will help the countries learn from each other as well.
[caption id="attachment_1562020" align="alignnone" width="600"] SCREENGRAB[/caption]
ET: Do you believe Pakistani films are of relatively lower quality as compared to Indian films?
JS: No, I don’t believe that to be true at all. Things are changing now and the quality of our films has improved drastically, which I’m very proud of.
[caption id="attachment_1562022" align="alignnone" width="640"] SCREENGRAB[/caption]
ET: India is advancing with regards to special effects in their movies. Do you think Pakistan too should start incorporating such techniques?
JS: Special effects are vital for our films. It has already been introduced to the industry and Pakistan can produce excellent quality as compared to many others. Many film-makers from Hollywood are seeking help from Pakistanis who have learnt this skill. 25% of Hollywood’s animations are being made in Pakistan. We use the same equipment that India does and we possess technical expertise as well, so why should we stay back?
ET: Do you think we have producers who would be willing to invest as massively as Bollywood producers?
JS: We have been producing low budget films for quite some time and there are still many things that do not work in our favour. High cost production cannot be done overnight, but I also believe that we have not compromised on the quality so I am hoping for the best.
ET: So you have started directing films again after almost 10 years. What brought you back to direction?
JS: Film-making demands a lot of time and effort. I was at the height of my career and consumed with acting, which is why I was unable to make time for film direction. Nevertheless, I am back with Wajood now and looking forward to making more films.
ET: Do you think film-making is a profitable business? How do you see the future of Pakistan's movie industry?
JS: Film-making is a highly profitable business but at the same time, it is unpredictable too. Three out of my seven films flopped miserably at the box office and I suffered major losses but that’s something that happens with every director. I’m a firm believer that the future of Pakistani cinema is very bright and it will prosper further in the years to come InshAllah.
[caption id="attachment_1562023" align="alignnone" width="625"] PHOTO: FACEBOOK/NA MALOOM AFRAAD[/caption]
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I wasn’t handed success on a platter: Mohsin Abbas Haider
A true artist and a man of many parts – actor, budding photographer, TV host, model, news anchor, poet, RJ, VJ and vocalist – Mohsin Abbas Haider has tried his hand at almost everything in the entertainment industry.
From singing on Coke Studio to blockbuster films such as Na Maloom Afraad (NMA) under his belt, there is not gainsaying that he has managed to climb up the ladder quite rapidly.
One of the busiest stars in the industry today, the star talks to The Express Tribune about his personal and professional life, the struggles of kicking off his career in his late teens and what has kept him grounded.
[caption id="attachment_1682896" align="alignnone" width="625"] PHOTO: DAUD MALIK[/caption]
The Express Tribune (ET): You lost your daughter when she was just a year old. Does a tragedy such as this affect an artist differently?
Mohsin Abbas Haider (MH): I think so. I feel tragedy affects an artist differently and more deeply than other people. We internalise grief and handle misfortune in unconventional and unusual ways. An artist goes through more stages of grief than others and each stage lasts a very long time.
A true artist tends to be highly sensitive. He may be an actor, a circus worker, a construction worker or someone from another profession but he takes great pride in his work and treats it with utmost respect. The connection between and him and his work is deeply personal, very passionate and immensely intimate. It is his mind set and not his vocation that makes him an artist.
ET: What are the stages of grief for an artist?
MH: Shock, denial, pain, guilt, anger, rationalising, depression, loneliness, reflection, reconstruction and acceptance. A lot of people go through a subset of these stages but an artist experiences all of them and more.
His emotional and intellectual makeup requires a lot of reflection, analysis and examination. I’m not saying that the sadness of artists is more important than that of other people but it is just very different. Strangely, it is also very rewarding.
[caption id="attachment_1682986" align="alignnone" width="625"] PHOTO: DAUD MALIK[/caption]
ET: The world of show business is full of gossip, some innocent and some decidedly malicious. How do you deal with it?
MH: I do not participate in gossip and disengage myself from conversations that have a high quotient of chatter. When I am working, I stay focused on my work and leave the set or my place of work as soon as I am done.
There really is no time in my day for gossip. And when I hear stories that are spread about me, I just ignore them. I find gossiping deplorable and truly pathetic.
ET: There have been many rumours about your marital troubles, divorce and remarriage. Would you like to set the record straight?
MH: Yes, let me do that. I have had one marriage in my life and that is enough for me. My wife, Fatima Mohsin and I have been together since we got married. The salacious stories about my marriage that have appeared in the press were categorically false.
Sadly, they were spread by an irresponsible but very senior journalist who chose to write them without ever bothering to confirm their veracity.
ET: You have tried out so many different occupations. What do you enjoy the most out of them?
MH: I was a theatre actor before I became anything else. Acting was my first love and I enjoy it more than anything else. Writing poetry and singing come right after acting; they give me immense pleasure.
[caption id="attachment_1682987" align="alignnone" width="625"] PHOTO: DAUD MALIK[/caption]
ET: Do you ever worry about overexposure?
MH: Yes, at times, I do. I appear thrice a week on TV in Mazaaq Raat, in addition to doing films, TV serials, concerts, stage shows and commercials. That is a lot.
People often tell me that the overexposure may hurt my career and lower my value as an artist. That causes me to worry but not a lot. I have faith in God. I will only do work that I am destined to do – no more and no less.
ET: You have acted both in films and on TV. How are the two different for actors?
MH: TV allows actors to become a part of people’s lives for longer periods of time than cinema. The relationship between an actor and television viewers develops over time and is rather personal. The connection with filmgoers is more intense but short-lived. It is, therefore, easier to have a greater impact as an actor on TV than in films.
ET: You have a live band on ‘Mazaaq Raat’ but often lip sync to pre-recorded songs. Why don’t you always perform live on the show?
MH: I have a preference for singing live and always open the show with a live performance. Songs that are performed during the show are recorded live as well. The only song that is recorded in a studio is the last one in the show.It is usually a more complex song that requires careful balancing, mixing and editing which is difficult to accomplish on the sets of Mazaaq Raat.
Left to me and with adequate recording and editing facilities, I would sing that song live as well. I love the raw energy of live music. And I love to be able to innovate and interpret a song while performing it.
I must add that lip syncing is not necessarily wrong. But, it is bad when done to make a singer sound better than he really is. All the guests who have sung with me on the show – Abida Parveen, Humeira Channa, Rahat Fateh Ali Khan, Sanam Marvi and Tahira Syed – have performed live with the house band.
[caption id="attachment_1682988" align="alignnone" width="625"] PHOTO: DAUD MALIK[/caption]
ET: You studied music at the National Academy of Performing Arts (NAPA). Did you enjoy your time at the institution?
MH: I loved it. I was an RJ in Lyallpur and so, moving to Karachi to study at NAPA was one of the best decisions of my life. My teachers at NAPA encouraged me to sing more than simple songs. I have sung more than 1,500 songs in Mazaaq Raat during the last five years or so. These have included geets, ghazals, folk songs, film songs, naats, kafis and many other genres of music.
ET: Are you a disciple of an 'ustad' of music?
MH: I studied music with several teachers at NAPA. They were all my ustads. I am currently a student of Khawar Sahab who plays the violin and is one of the most accomplished musicians that I have met in my life.
ET: Which musicians have influenced your singing?
MH: My earliest influence was Sonu Nigam. I loved the tone and timber of his voice, and the emotional content of his songs. His versatility also impressed me greatly. As a teenager, I used to sing to his songs all the time. He is a huge fan of Muhammad Rafi and it was through his covers that I became acquainted with the music of Muhammad Rafi, who left an indelible mark on my music.
A lot of other singers such as Sajjad Ali, Nustrat Fateh Ali Khan and Mehdi Hassan have influenced my singing. Any and all virtues of my music are because of these influences. The shortcomings and vices are all my own.
ET: Are you a good singer?
MH: I am a competent singer. I work hard, I take music very seriously and I sing with a lot of heart. I am, however, unable to say if I am a good singer or not. That is for the elders and masters of music to decide. Their love and appreciation means the world to me.
[caption id="attachment_1682991" align="alignnone" width="625"] PHOTO: DAUD MALIK[/caption]
ET: Your debut song, ‘Bay Parwah Dhola’, was a huge hit. How did you conceive the song?
MH: I did not conceive Bay Parwah Dhola. The song was written and composed by my maternal uncle, Riaz Anjum Sahib. I just fell in love with the song when I heard it and decided to make it my own. It continues to be one of my favourite songs.
ET: Nabeel Qureshi gave you your first big break in cinema with a lead role in ‘NMA’. Why do you think he selected you for the role of Moon?
MH: Nabeel and I had worked together before. He had seen me act and liked my work. He also liked the fact that I took my work very seriously. He used to say that I had the makings of a good actor but needed the right role in the right film. Moon ended up being that role.
I believe that he selected me for the role because of my acting talent and my work ethic and, contrary to what some people think, not because of our friendship. He is a thorough professional and would never cast an actor for the wrong reasons.
ET: ‘NMA’ starred Javed Sheikh and Fahad Mustafa. Were you concerned that the two superstars would dwarf your role in the film?
MH: Not at all. They are the best co-stars I could have wished for. They were kind, fair and generous and gave me the encouragement that I needed to perform well in the film.
ET: Have you considered a career a Bollywood?
MH: Yes, I have. I would love to work in Bollywood. My goal is to secure good roles in good films. They can be Indian, Bangladeshi, Iranian, European or American. The national origin of the films does not matter to me; their quality does.
ET: You criticised Imran Abbas Naqvi’s Bollywood film, 'Creature 3D' and said that he had chosen a lame film to make his debut in Bollywood. What was wrong with the film?
MH: I never criticised him for Creature 3D. It was a rumour spread by some people to create a controversy. I have no reason to criticise Imran Abbas, or anyone else, for that matter. As far as Creature 3D is concerned, I have not seen it and do not know if it is good or bad.
Mohsin Abbas Haider's one-month-old daughter passes away
ET: There is also the story about you making fun of Hamza Ali Abbasi’s body?
MH: Yes, this was another fake story by people who seem to have a lot of time on their hands and nothing better to do. I had been asked about my abs in an interview on BBC and responded by saying that it was important for Pakistani actors to have well developed bodies that could be shown on screen without having to keep them out-of-focus.
I had not seen Jawani Phir Nahi Ani at the time – I still have not – and did not know that a bare-chested Hamza Ali Abbasi had been shown out-of-focus in the film. People assumed that I was taking a dig at Hamza and started the controversy. It is sad that people create such stories but there is really nothing that I can do to stop them. I just keep my blinders on and stay focused on my own career.
ET: How long did it take you to move from anonymity to superstardom?
MH: Too long. I moved to Karachi to pursue a career in showbiz when I was just 19. Let me tell you that it was not easy. People put me down. They played dirty politics. A few tried to abuse me emotionally and financially. Some tried to take advantage of what they thought was my naivety.
Then there were those who tried to shatter my confidence. There was no shortage of people who told me that I did not have the skills and wherewithal to make it in the world of show business.
A lot of people think that I rose to stardom very quickly in the last three years but they are wrong. The last three very successful years were prepared by a decade of struggle, perseverance and hard work. I was not handed success on a platter.
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'Actor In Law' producer slammed for booing actor's LSA win
This year's Lux Style Awards (LSAs) were held in Lahore on February 20 and finally aired on April 22. While most enjoyed the star-studded broadcast and all the glitz glam that comes with it, some seem to have taken notice of local film producer Fizza Ali Meerza.
Meerza, who has hits such as Na Maloom Afraad and Actor in Law under her belly, was spotted booing Ahad Raza Mir as he went on stage to receive an award. Ahad was dubbed the Best TV Actor - a category that even Na Maloom Afraad's Mohsin Abbas Haider was nominated for.
When the Yakeen Ka Safar star went on stage to receive his award, Haider and Meerza were seated in the crowd. While the former was applauding Ahad for his well-deserved win, the latter was spotted booing him.
https://www.instagram.com/p/Bh4rvEih9zP/?taken-by=obsessivelicious
It's evident that the producer wanted Haider to take the trophy home, since the two have worked together on various occasions and hence share a friendly bond. However, fans deemed this as immature and disrespectful on her part.
Many people have come forth questioning Meerza for her antics. They took to Instagram stating, "Can she clarify why she was seen discouraging a young, sensational actor winning an award?"
One claimed, "If our producers show such idiocies in live shows, who are the young artists going to look up to?"
https://www.instagram.com/p/Bh4hXG7h3Qk/?taken-by=obsessivelicious
Another added, "If producers like you are going to publicly shame and discourage young talent, I don't know who will be the actors' saviour."
"I wonder if I will still be able to buy a ticket to your film, now that you've disrespected someone from your own industry," stated a fan.
People have requested both Meerza and LSAs team to offer a public apology.
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'Na Maloom Afraad' makers to fill in the Bollywood vacuum by releasing two films
Producer Fizza Ali Meerza and director Nabeel Qureshi are back with not one but two new films in this coming year, stated a press release.
Titled as Quaid-e-Azam Zindabad, the first of the two productions will release on Eid-ul-Azha 2020. The genre is action-comedy as it is the story of notorious cop. The film will be an action thriller with lots of twists and turns and quick-witted humour.
The second film will be Fatman, which is a thrilling action comedy drama revolving around a real-life accidental superhero. The cast of both of the films is yet to be announced though.
Fizza and Nabeel are bringing fresh ideas and spins to the Pakistani film industry. In a joint statement, the duo expressed their excitement to return to film-making after a brief hiatus.
“We are happy to announce that we will be releasing two films, Quaid-e-Azam Zindabad and Fatman in 2020,” read the statement. “We have been painstakingly working on these scripts for the past year and believe that these films will be individualistic and special to Pakistani cinema. Due to the ban on Indian films, we believe that it is more important than ever to support Pakistani cinema; thus we have chosen to make two films.”
The duo added, “As Pakistani film-makers, we urge others in the industry to do the same, since making the collective effort will protect and uplift our cinema industry. Our aim is to continue releasing quality content which pushes the boundaries and meet the audience expectations.”
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